Defined by its distinct performance style, stage practices, and regional- and dialect-based identities, Cantonese opera originated as a traditional art form performed by itinerant companies in temple courtyards and rural market fairs.

In the early 1900s, however, Cantonese opera began to capture mass audiences in the commercial theaters of Hong Kong and Guangzhou—and changed forever. Wing Chung Ng charts Cantonese opera's confrontations with state power, nationalist discourses, and its challenge to the ascendancy of Peking opera as the country's preeminent "national theater." Mining vivid oral histories and heretofore untapped archival sources, Ng relates how Cantonese opera evolved from a fundamentally rural tradition into a form of urbanized entertainment distinguished by a reliance on capitalization and celebrity performers. He also expands his analysis to the transnational level, showing how massive waves of Chinese emigration to Southeast Asia and North America further reshaped Cantonese opera into a vibrant part of the ethnic Chinese social life and cultural landscape in the many corners of a sprawling diaspora.

An engaging examination of a global phenomenon, The Rise of Cantonese Opera rewrites the political, artistic, and economic history of an art form and an industry.

作者簡介：

Wing Chung Ng is an associate professor of history at the University of Texas at San Antonio and author of The Chinese in Vancouver, 1945–80: The Pursuit of Identity and Power.

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