定價:NT$ 1225
優惠價:93 折,NT$ 1139
運送方式:超商取貨、宅配取貨
銷售地區:全球
訂購後,立即為您進貨
This book documents in letters, photos, and paintings a special friendship between two highly creative individuals who helped shape Chinese culture in the twentieth century — the revered traditional painter Huang Binhong (1865–1955) and the young, cosmopolitan critic and translator Fou Lei (1908–66). As one of China's oldest and most distinguished artists in the 1940s and 1950s, Huang Binhong was committed to artistic continuity and reinvigoration of brush-and-ink painting. Fou Lei was a child of the New Culture Movement which repudiated many literati traditions, but reached out to Huang Binhong to discuss the possibilities for contemporary Chinese art amid the tides of war and Communist dictates of socialist realism as the guiding priority for cultural workers. Both were cultural mediators and translators of ideas and cultural expressions. Both had deep appreciation of the common origins of calligraphy and painting, rendering complex feelings with brush and ink. Their intimate artistic conversations over more than a decade depict their alienation and uncertainty amid China's turbulent cultural politics.
作者簡介:
Claire Roberts is research fellow in the School of Asian and Pacific Studies, The Australian National University, and senior curator at the Powerhouse Museum, Sydney.
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優惠價: 93 折, NT$ 1139 NT$ 1225
運送方式:超商取貨、宅配取貨
銷售地區:全球
訂購後,立即為您進貨
This book documents in letters, photos, and paintings a special friendship between two highly creative individuals who helped shape Chinese culture in the twentieth century — the revered traditional painter Huang Binhong (1865–1955) and the young, cosmopolitan critic and translator Fou Lei (1908–66). As one of China's oldest and most distinguished artists in the 1940s and 1950s, Huang Binhong was committed to artistic continuity and reinvigoration of brush-and-ink painting. Fou Lei was a child of the New Culture Movement which repudiated many literati traditions, but reached out to Huang Binhong to discuss the possibilities for contemporary Chinese art amid the tides of war and Communist dictates of socialist realism as the guiding priority for cultural workers. Both were cultural mediators and translators of ideas and cultural expressions. Both had deep appreciation of the common origins of calligraphy and painting, rendering complex feelings with brush and ink. Their intimate artistic conversations over more than a decade depict their alienation and uncertainty amid China's turbulent cultural politics.
作者簡介:
Claire Roberts is research fellow in the School of Asian and Pacific Studies, The Australian National University, and senior curator at the Powerhouse Museum, Sydney.
退換貨說明:
會員均享有10天的商品猶豫期(含例假日)。若您欲辦理退換貨,請於取得該商品10日內寄回。
辦理退換貨時,請保持商品全新狀態與完整包裝(商品本身、贈品、贈票、附件、內外包裝、保證書、隨貨文件等)一併寄回。若退回商品無法回復原狀者,可能影響退換貨權利之行使或須負擔部分費用。
訂購本商品前請務必詳閱退換貨原則。請在手機上開啟Line應用程式,點選搜尋欄位旁的掃描圖示
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