目次│Table of Contents
序│Foreword
顏名宏 高雄市立美術館館長
YEN Ming-hung, Director of Kaohsiung Museum of Fine Arts
策展筆記│Curatorial Statement
在塵世與筆墨之間：一種不喧嘩的現代性
李安成的水與墨 吳慧芳
Between the Mundane and the Ink: A Quiet Modernity
Li An-Cheng’s Water and Ink WU Hui-fang
專文│Essay
李安成與他的水墨行旅 蔣妙雨
Li An-cheng and His Journey of Ink Art CHiang Miao-yu
專訪│Interview
守護一方藝術珍寶：葉國顯與李安成 吳垠慧
Guarding a Treasury of Art: Yeh Kuo-hsien and Li An-cheng WU Yin-hui
圖版│Plates
I. 基隆時期(70年代末-80年代)
自學創作的起點
I. The Keelung Period (Late 1970s–1980s)
The Starting Point of Self-Taught Art-Making
II. 陽明山時期(90年代)
黑白結構與心象山水
II. The Yangmingshan Period (1990s)
Black-and-White Structure and Landscapes of Mental Imagery
III. 淡水紅樹林時期(2003-2012)
韓紙、大尺幅與筆墨解放
III. The Tamsui Mangrove Period (2003-2012)
Hanji, Large-scale Pieces, and the Liberation of Ink
IV. 移居高雄(2012-2015)
新的視覺經驗：南臺灣的光線與地貌
IV. Relocation to Kaohsiung (2012-2015)
New Visual Experiences: The Light and Landscape in Southern Taiwan
附錄│Appendices
關於李安成About Li An-cheng
藝術家年表Chronology of LI An-cheng

目次│Table of Contents
序│Foreword
顏名宏 高雄市立美術館館長
YEN Ming-hung, Director of Kaohsiung Museum of Fine Arts
策展筆記│Curatorial Statement
在塵世與筆墨之間：一種不喧嘩的現代性
李安成的水與墨 吳慧芳
Between the Mundane and the Ink: A Quiet Modernity
Li An-Cheng’s Water and Ink WU Hui-fang
專文│Essay
李安成與他的水墨行旅 蔣妙雨
Li An-cheng and His Journey of Ink Art CHiang Miao-yu
專訪│Interview
守護一方藝術珍寶：葉國顯與李安成 吳垠慧
Guarding a Treasury of Art: Yeh Kuo-hsien and Li...